{"id":116,"date":"2017-05-25T22:14:44","date_gmt":"2017-05-25T20:14:44","guid":{"rendered":"http:\/\/www.dorian-keilhack.de\/?page_id=116"},"modified":"2017-05-25T22:17:53","modified_gmt":"2017-05-25T20:17:53","slug":"presse","status":"publish","type":"page","link":"https:\/\/www.dorian-keilhack.de\/en\/presse\/","title":{"rendered":"Press"},"content":{"rendered":"<p>&lt;h2&gt;La Finta Giardiniera, W.A.Mozart at the Opera House Bern&lt;\/h2&gt;<br \/>\n\u201d\u2026 The tension of the premiere never sank, to what the reductions also helped. And the conductor Dorian Keilhack got the small, but fine formation of the Bern Symphony to an emotional and agile music making.\u201d<\/p>\n<p>&lt;em&gt;Opernglas, May 2010&lt;\/em&gt;<\/p>\n<p>&amp;nbsp;<br \/>\n&lt;h2&gt;Romeo and Juliet, S.Prokofjev at the Opera House Bern&lt;\/h2&gt;<br \/>\n\u201c\u2026 The premi\u00e8re listeners honoured the dancing performance and the excellent musical accompaniment under the conducting of Dorian Keilhack with frenetic applause.\u201d<\/p>\n<p>&lt;em&gt;Berner &nbsp;Zeitung, October 2009&lt;\/em&gt;<\/p>\n<p>&amp;nbsp;<\/p>\n<p>\u201c\u2026. The Bern Symphony under the conductor Dorian Keilhack intensifies the striking music of Prokofjev with subtle entries of its instruments in emotional extreme and illustrates the aggravating drama with atmospheric soli.\u201d<\/p>\n<p>&lt;em&gt;Berner Bund, October 2009&lt;\/em&gt;<\/p>\n<p>&amp;nbsp;<br \/>\n&lt;h2&gt;Summer Night\u2019s Dream, B.Britten at the Opera House Bern&lt;\/h2&gt;<br \/>\n\u201c\u2026. Then the music comes in with its soft string glissandi, which let loose the ground under Puck\u2019s feet in the sensible, sonorous interpretation of the Bern Symphony under the conductor Dorian Keilhack.\u201d<\/p>\n<p>&lt;em&gt;Opernwelt, June 2008&lt;\/em&gt;<\/p>\n<p>&amp;nbsp;<br \/>\n&lt;h2&gt;Symphony C Minor, J.Brahms&lt;\/h2&gt;<br \/>\n\u201c\u2026 brilliant, &nbsp;to take the timpani threatening loud, convincing the urging in the strings, wonderful harmonious the dramatic concept, not only in tempo and dynamics\u2026 the audience was fired with enthusiasm by the highly intense and with &nbsp;rich nuances played ending of the symphony with its wide tension. Not only had I felt: One never heard this symphony so impressively and clearly.\u201d<\/p>\n<p>&lt;em&gt;Fr\u00e4nkischer Tag, July 2007&lt;\/em&gt;<\/p>\n<p>&amp;nbsp;<br \/>\n&lt;h2&gt;Oedipus Rex, I.Strawinsky at the \u201cAugenspieltheater\u201d, Hall (Austria)&lt;\/h2&gt;<br \/>\n\u201c\u2026 The magnificent musical performance of the Tyrolean Ensemble for New Music under the conductor Dorian Keilhack was the point on the letter \u201ci\u201d, that caused the not ending applause.\u201d<\/p>\n<p>&lt;em&gt;Der Kurier, May 2004&lt;\/em&gt;<\/p>\n<p>&amp;nbsp;<br \/>\n&lt;h2&gt;Powder Her Face, T.Ades at the Opera House Innsbruck&lt;\/h2&gt;<br \/>\n\u201cThe Tyrolean Symphony under the thrilling conducting of Dorian Keilhack played the performance diabolically. The premi\u00e8re audience reacted with minutes long applause.\u201d<\/p>\n<p>&lt;em&gt;APA- Austria Presseagentur, April 2004&lt;\/em&gt;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&lt;h2&gt;La Finta Giardiniera, W.A.Mozart at the Opera House Bern&lt;\/h2&gt; \u201d\u2026 The tension of the premiere never sank, to what the reductions also helped. And the conductor Dorian Keilhack got the small, but fine formation of the Bern Symphony to an emotional and agile music making.\u201d &lt;em&gt;Opernglas, May 2010&lt;\/em&gt; &amp;nbsp; &lt;h2&gt;Romeo and Juliet, S.Prokofjev at the &#8230; <span class=\"more\"><a class=\"more-link\" href=\"https:\/\/www.dorian-keilhack.de\/en\/presse\/\">[Read more&#8230;]<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":9,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":{"0":"entry","1":"page","2":"publish","4":"post-116"},"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/www.dorian-keilhack.de\/en\/wp-json\/wp\/v2\/pages\/116","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dorian-keilhack.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.dorian-keilhack.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.dorian-keilhack.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dorian-keilhack.de\/en\/wp-json\/wp\/v2\/comments?post=116"}],"version-history":[{"count":2,"href":"https:\/\/www.dorian-keilhack.de\/en\/wp-json\/wp\/v2\/pages\/116\/revisions"}],"predecessor-version":[{"id":740,"href":"https:\/\/www.dorian-keilhack.de\/en\/wp-json\/wp\/v2\/pages\/116\/revisions\/740"}],"wp:attachment":[{"href":"https:\/\/www.dorian-keilhack.de\/en\/wp-json\/wp\/v2\/media?parent=116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}